The revision was pursued in various sessions over 4 years and was finally completed on Sunday, February 11, 2024. The idea for the image came about with the play of words Techno (Tecno) Virus, which I noticed in Trieste 2015. The contrast of the words to the Renaissance image seemed fitting to me, given the emerging Corona pandemic of 2020.

The picture is meticulously detailed and showcases a complexity that seamlessly aligns with the essence of a classic portrait. The color palette exudes positivity and exhibits a remarkable sense of balance. On the whole, the composition of the artwork resembles an archaeological layer, revealing a myriad of captivating and noteworthy details.

Childlike stamping techniques with motifs from pop culture are intended to be reminiscent of the designs of Greek Ambhors.

Fragments of scratch images appear repeatedly in the composition.

A sticker of a young Roman found space on the new stage as well as macro shots of poster advertising, graffiti tags and many dots that are reminiscent of stars against the universal, black background.

Fragments of a floral still life were incorporated into the background. They underline the beauty that fades but is cyclically brought back to life.